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Les GommesAlain Robbe Grillet is internationally hailed as the chief spokesman for the noveau roman and one of the great novelists of the twentieth century The Erasers his first novel reads like a detective story but is primarily concerned with we THE ERASING OF VALUEI finished this book in March of 1972 during the beginning of the final spring thaw I still remember walking through the puddled misty grey streets of our sleepy Ontario university town musing deeplyFor its streets like the U2 song says now seemed to be nameless and endless for that was part and parcel of the greyly monotonous magic spell that Alain Robbe Grillet had by then woven into the fabric of my mindA “pathetic fallacy” indeed on the part of my dozing imaginationIt was after Beckett my first encounter with postmodernism And I enjoyed it; for as one one year now remained till graduation I needed every escape I could find from my heavy course loadBut there is grave danger in certain escapesAnd Robbe Grillet’s road does indeed wind forever into nowhere with plenty of sharp alarming revelations appearing suddenly into the field of vision of the protagonist a Sûreté cop only to disappear in even deeper folds of mist Such in fact is our lifeWhere are we going What do we know for sureSo Robbe Grillet hunkered down at his writing desk in the shambles that was postwar Europe seems to askNobel Laureate Patrick Modiano was 8 years old in 1953 the year Les Gommes was published But he seems to have been unaware of the power of the nouveau roman until he was 17 when one of the writers of that genre Raymond ueneau took him under his wingRobbe Grillet was by then the genre’s leading theorist And his influence on this soon to be cause célèbre youth is unmistakeable So Modiano’s novel Missing Person must have had its nascence in his attentive reading of The ErasersSo The Erasers was utterly groundbreaking in its timeA lot of us are moving in endless grey foggy spaces like Robbe Grillet’s inspector especially in these unsettling days Why’s thatWell think back to as late as the early twentieth century It was a world of plain facts You could be sure that the sun would always shine again that weather patterns wouldn’t act in a schizoid manner that tomorrow would be much the same as today You even see that still in the 1970’s in the drab grey French provincial towns patrolled by the drab Inspector Maigret’s clones The predictable is comforting and even murder can appear mundane under such comforting predictabilityBut wasn’t it Mauriac who said of Georges Simenon’s perennial sameness that it can horribly expose “the depths of this nightmare that he paints with such unendurable art” And the nightmare lives on and grabs us in Robbe GrilletNow that’s all changed because our postmodernism like one of the Horsemen of the Apocalypse rides the Pale Horse of Brute NothingnessWe are assaulted by the Absurd at every turnInstead of facts we have become an appalled world hyper conscious of its Breaking TweetsIs there hope in thatThere will be if we put our endless wanderings through rootlessness to good useBut that day may have to wait until that day when we can finallyRedeem the Time Redeem the DreamThe token of the word unheardUnspokenPeace of mind may be closer than we think if we learn to return to ourselves and our Original Vision of things Unconstrained by the dismal prison of our dour everyday “factual” refusal to dreamFor it is in our dreams that we recover our life

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Download Ebook ñ Les Gommes ã Ü Alain Robbe Grillet is internationally hailed as the chief spokesman for the noveau roman and one of the great novelists of the twentieth century The Erasers his first novel reads like a detective story but is primarily concerned with weaving and then probing a complete mixture of fact and fantasy The narratTion is then turned over to a police agent who may in fact be the assassinBoth an engrossing mystery and a sinister deconstruction of reality The Erasers intrigues and unnerves with eual force as it pull us along to its ominous conclusio Robbe Grillet isn't known for his storytelling prowess but THE ERASERS offers an intricately plotted and satisfying inversion of the traditional detective narrative Every clue false lead and theory builds throughout the final chapter generating an unusual sense of suspense culminating in the elegant revelation of the final pages There's also his trademark use of repetitions detailed descriptions submerged psychology and objects which stand in for emotion his style appears here basically fully formed In the shifting perspectives and overlaid version of the Oedipus myth you can also spot the influence of Joyce albeit in a hardboiled register A remarkable debut novel 45 stars

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Aving and then probing a complete mixture of fact and fantasy The narrative spans the twenty four hour period following a series of eight murders in eight days presumably the work of a terrorist group After the ninth murder the investiga Les Gommes The erasers‬ Alain Robbe GrilletAlain Robbe Grillet is internationally hailed as the chief spokesman for the noveau roman and one of the great novelists of the 20th century The Erasers his first novel reads like a detective story but is primarily concerned with weaving and then probing a complete mixture of fact and fantasy The narrative spans the twenty four hour period following a series of eight murders in eight days presumably the work of a terrorist group After the ninth murder the investigation is turned over to a police agent who may in fact be the assassin Both an engrossing mystery and a sinister deconstruction of reality The Erasers intrigues and unnerves with eual force as it pull us along to its ominous conclusionتاریخ نخستین خوانش روز دوم ماه مارس سال 2003 میلادیعنوان پاک کن ها؛ نویسنده آلن رب گری یه؛ مترجم پرویز شهدی؛ مشخصات نشر تهران، نشر دشتستان؛ 1379، در 336 ص، شابک 9649285210؛ موضوع داستانهای فرانسوی سده 20 مچاپ دیگر همین عنوان تهران، نسل آفتاب، 1389، در 344 ث، شابک 9786005847291؛آلن این رمان خویش را در سال 1951 میلادی بنوشته است؛ «رب گری یه» از چهره‌ های جنبش ادبی و هنری رمان نو یا موج نو بودند، که در دهه 1960 میلادی هیاهوی بسیاری به پا کردند «رب گری یه» از نظر فکری به فلاسفه آلمانی، به ویژه به هایدگر و سبک داستان پردازی کافکا، گرایش داشت، و دیدگاه ایشان با تفاوت قائل شدن میان واقعیت و رئال، به این معنا که درک رئالیستی واقعیت نمی‌تواند تمامی آن را بیان کند، بسیار نزدیک به جریان فلسفی پست مدرنیسم می‌شد، که در همان زمان، در فرانسه پا گرفته بود رولان بارت، از برجسته‌ ترین شارحان پست مدرنیسم، به ویژه در حوزه هنر و ادبیات، هماره به طرز اغراق‌ آمیزی داستان‌های آلن رب گری یه را می‌ستودند «رب گری یه» به از راویت رئال دانای کل، آن چنان‌که در آثار بالزاک به چشم می‌آید، پرهیز می‌کردند، و با توصیف جزئیات و خودداری از بکارگیری صفت، به گوستاو فلوبر نزدیک می‌شندد روش ایشان در بهره‌ گیری از تلفیق رؤیا و واقعیت، و در هم ریختن خط طولی زمان، داستان‌های مارسل پروست را به یاد خوانشگر می‌آورد ا شربیانی