Dreams of Trespass Tales of a Harem Girlhood kindle Ø Paperback read


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Dreams of Trespass Tales of a Harem Girlhood kindle Ø Paperback read Ê This wonderful and enchanting memoir tells the revelatory true story of one Muslim girl's life in her family's French Moroccan harem set against the backdrop of World War II The New York Times Book Review I was born in a harem in 1940 in FezSs to the world outside recreated it from sheer imagination A beautifully written account of a girl confronting the mysteries of time and place gender and sex Dreams of Trespass illuminates what it was like to be a modern Muslim woman in a place steeped in tradition I must admit that I am of a fan of Fatima Mernissi herself than her books The Morrocan feminist is an icon in her own country Born in a 1940 she did indeed grow up in a harem and then went on to earn a PhD in Political Science teach sociology at Mohammed V University in Rabat do research for UNESCO and publish a handful of books and a multitude of articles What is not to like It is safe to say that she is the doyenne of scholarly research addressing the validity or lack thereof of the hadith regarding the subjugation of women In addition she looks like an elegant and wise grandmother who is said to have a great sense of humor and lecture in Darrija the local Moroccan dialect instead of MSA Modern Standard Arabic which is preferred by most intellectuals In short she is the kind of person many women including me would like to have tea with because she is an inspiration Her semi autobiographical Dreams of Trespass is probably her best known book in the USA due to its easy going humorous tone and insights into a culture the average Western reader knows little about It is a description of harem life through the eyes of a nine year old girl also called Fatima who is as playful and fun as she is uestioning and probing The precocious smart girl grows up within the safe boundaries of her family home where her paternal grandmother Lala reigns supreme while her maternal grandmother who lives out in the country is a free spirit allowed to roam the countryside on her own Despite having various fellow co wives the latter seems happier than the domineering Lala Their grand daughter uestions the Hudud or frontiers that separate women from men Christians from Muslims the French from the Moroccans and most of all what is considered Halal pure from Haram forbidden or sinful The very word “harem” is a variation of the word “haram” That which needs to be protected at all costs Sitting on the roof Fatima often observes the contrasts between the world within and outside the confines of the harem Her playful nature games and imagination are a way to deal with the restrictions imposed on her – An escape her mother who seems to suffer most from being confined no longer finds enough From her highly sheltered world dominated mostly by men Fatima struggles to find a balance between remaining loyal to her family and roots while growing up into a modern independent woman The beauty of Moroccan architecture and the inventiveness and love among the women and children counter balance the reality of living in virtual imprisonment yet tellingly Mernissi seems to urge mostly her female readers for social change A worthy message that no doubt has inspired many a modern Muslim woman but lacking a real plot not satisfactory as a literary novel

Dreams of Trespass Tales of a Harem GirlhoodSs to the world outside recreated it from sheer imagination A beautifully written account of a girl confronting the mysteries of time and place gender and sex Dreams of Trespass illuminates what it was like to be a modern Muslim woman in a place steeped in tradition I must admit that I am of a fan of Fatima Mernissi herself than her books The Morrocan feminist is an icon in her own country Born in a 1940 she did indeed grow up in a harem and then went on to earn a PhD in Political Science teach sociology at Mohammed V University in Rabat do research for UNESCO and publish a handful of books and a multitude of articles What is not to like It is safe to say that she is the doyenne of scholarly research addressing the validity or lack thereof of the hadith regarding the subjugation of women In addition she looks like an elegant and wise grandmother who is said to have a great sense of humor and lecture in Darrija the local Moroccan dialect instead of MSA Modern Standard Arabic which is preferred by most intellectuals In short she is the kind of person many women including me would like to have tea with because she is an inspiration Her semi autobiographical Dreams of Trespass is probably her best known book in the USA due to its easy going humorous tone and insights into a culture the average Western reader knows little about It is a description of harem life through the eyes of a nine year old girl also called Fatima who is as playful and fun as she is uestioning and probing The precocious smart girl grows up within the safe boundaries of her family home where her paternal grandmother Lala reigns supreme while her maternal grandmother who lives out in the country is a free spirit allowed to roam the countryside on her own Despite having various fellow co wives the latter seems happier than the domineering Lala Their grand daughter uestions the Hudud or frontiers that separate women from men Christians from Muslims the French from the Moroccans and most of all what is considered Halal pure from Haram forbidden or sinful The very word “harem” is a variation of the word “haram” That which needs to be protected at all costs Sitting on the roof Fatima often observes the contrasts between the world within and outside the confines of the harem Her playful nature games and imagination are a way to deal with the restrictions imposed on her – An escape her mother who seems to suffer most from being confined no longer finds enough From her highly sheltered world dominated mostly by men Fatima struggles to find a balance between remaining loyal to her family and roots while growing up into a modern independent woman The beauty of Moroccan architecture and the inventiveness and love among the women and children counter balance the reality of living in virtual imprisonment yet tellingly Mernissi seems to urge mostly her female readers for social change A worthy message that no doubt has inspired many a modern Muslim woman but lacking a real plot not satisfactory as a literary novel

ebook ✓ Dreams of Trespass Tales of a Harem Girlhood è Fatema Mernissi

Dreams of Trespass Tales of a Harem Girlhood ↠ Mernissi in this illuminating narrative of a childhood behind the iron gates of a domestic harem In Dreams of Trespass Mernissi weaves her own memories with the dreams and memories of the women who surrounded her in the courtyard of her youth women who without acce Dreams of Trespass Tales of a Harem Girlhood is a coming of age story set in Morocco during WWII an account of Yasmina's attempt to decipher the cloistered world within and the greater world beyond the family home in Fez The book almost seems a cross between an autobiography and an ethnographic study of French Colonial Morocco just as the stirrings of an independence movement are in the air It can't really be compared to The Diary of a Young Girl by Anne Frank but there are certain similarities in the manner in which it portrays a young girl at the onset of maturation held captive at about the same time as the story set in Holland but fortunately with a much brighter outcomeI read the very engaging work by Fatema Mernissi as a part of a program at my local library via a National Library Foundation grant called Muslim Journeys a series of encounters that included discussions of five assigned books lectures films each representing different Muslim countries And while one has various notions of what life in a harem might entail this tale is a warmly personal story detailing how a young girl deals with her very restrictive setting while yearning to define her own reality in the midst of abundant social contradictions One example of contradictory manifestations comes with the realization that Princess Aisha the teenage daughter of Morocco's King Mohammad V is heard to give speeches in both Arabic French and seen wearing both long caftans short French dresses with this combining of two worlds two codes two languages two personalities seeming far attractive than living in just one In fact this ability is spellbinding like the sliding open of magic doors enchanting the younger children being encouraged by many mature Moroccan women in Yasmina's circle but viewed as an exceedingly dangerous form of trespassing by her father most men Moroccan men feel strongly that the hudud or boundaries are sacred meant to be observed as protective of Morocco's cultural identity heritage and that if women began dressing provocatively smoking cigarettes running about with their hair uncovered imitating Europeans Moroccan culture would soon wither disappear However when asked why young males went around wearing their hair like French soldiers dressed like so many imitation Rudolf Valentino's Yasmina's father was not able to answer that uestion There are many memorable characters within the book by Fatema Mernissi including Chama who possesses charm books filled with folk wisdom and who often stages complex plays for the women on the terrace of the house but who is dictatorial prone to depression The occasional visits to the hamman bathhouse and the terrace of their home are the only two areas where most women in Fez can feel truly free but Yasmina's time at her much less restrictive family home in the country is also a refuge for her a time of feeling unfettered Throughout the book there are countless images of flight and of developing wings and a character called Aunt Habiba illiterate but robustly sensitive loved by Yasmina a stand in for the author Fatema someone who while uiet held onto her wings giving meaning to her life by dreaming about flight something that encourages Yasmina Imprisoned within the walls of the harem the women went about dreaming of horizons without frontiers Some women who view themselves as modern even embroider images of birdwings in flight an image that is seen as very threatening for traditional women In the view of Aunt Habiba When you happen to be trapped powerless behind walls stuck in a dead end harem you dream of escape And magic happens when you spell out that dream make the frontiers vanish Dreams can change your life eventually the world Liberation starts with little images dancing in your head you can translate those images into words words cost nothingThe beauty of Fatema Mernissi's novel is in its inspirational message stressing the importance of having dreams no matter who you are what your situation might beThis very enjoyable tale is accompanied by some very evocative black white chapter opening images by Ruth Ward I did have one area of uncertainty having read that the author is fluent in Arabic French there was no mention of a translator for the English version of the book I read ebook ✓ Dreams of Trespass Tales of a Harem Girlhood è Fatema Mernissi

Fatema Mernissi è Dreams of Trespass Tales of a Harem Girlhood doc

Fatema Mernissi è Dreams of Trespass Tales of a Harem Girlhood doc This wonderful and enchanting memoir tells the revelatory true story of one Muslim girl's life in her family's French Moroccan harem set against the backdrop of World War II The New York Times Book Review I was born in a harem in 1940 in Fez Morocco So begins Fatima Despite its appearance on every reading list related to Morocco I’d resisted reading Mernissi’s recent recounting of growing up in Fez in the 1940s and ’50s “A harem girlhood” Exotic and titillating I thought but not likely a typical upbringing Now that I’ve read this fascinating memoir I realize that the western stereotype of “harem” – dancing girls who take turns pleasing a wealthy sultan – hardly matches the reality In fact Mernissi notes the everyday domestic harem involves housing the women in an extended family together in seclusion from the world Mernissi’s mother a grandmother and an aunt found ways to subtly subvert their oppression taking their cue from the women of Scheherazade’s “A Thousand and One Nights” who “did not try to convince society to free them – they went ahead and freed themselves” From throwing off the veil to creating opportunities for permission to venture beyond the front gate their small subversions surely are the roots of the liberation Moroccan women enjoy today and are an important part of the country’s slow progression toward a democratic and euitable society